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The pianist Pascal Amoyel - a highly individual artist, a gifted improviser, and a born storyteller in his one-man show 'The Day I Met Franz Liszt' - here presents his second recording for La Dolce Volta after his much acclaimed Alkan disc. Since his 2004 recording of the Chopin Nocturnes, Pascal Amoyel has further developed his view of the composer's music: 'For the Nocturnes, Chopin is thinking of a sort of universality, whereas with the Polonaises it's more like the singular seeking transcendence. At the end of the series, the form is not at all a framework or an aim, but a poetic resource, which flows into the force of the language; that engages one's interpretation, but also liberates it in a sense. I hope all of that goes in the direction of simplicity.' Pascal Amoyel proposes his interpretation of the great Polonaises (opp.26, 40, 44 and 53), metaphors of the Polish diaspora, of exile, sorrow and despair. The Polonaise-Fantaisie, a synthesis of all the others, closes this sumptuous recording, offering us a new world of sound, right up to the exultant quintessence of the final bars. |
Polonaise op.26 n°1 - Allegro 8'10 Polonaise op.26 n°2 - Maestoso 7'21 Polonaise op.40 n°1 _ Allegro con brio 6'16 Polonaise op.40 n°2 - Allegro maestoso 8'14 Polonaise op.44 11'12 Polonaise op.53 - Maestoso 7'20 Polonaise-Fantaisie op.61 Allegro maestoso |
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