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A whole world could separate the unbridled romanticism of Berlioz very controlled Rameau art, herald of French late baroque ... a whole world, yet less than a century apart (Hippolyte was created in 1733, the Fantasy in 1830), the same madness connects two less remote partitions that stylistic difference might suggest. A shared audacity on the orchestration plan also combined with an innate sense of drama that does not hesitate to appeal to many rhythmic or harmonic surprises. This is a common exercise that little book by the Orchestra of the Swedish Radio under the direction of Daniel Harding who has no equal to talk two engineering precursors beyond purely factual echoes, a powerful blast the anime! |
CD 1 Jean-Philippe Rameau Hippolyte et Aricie, suite d'orchestre 1 I. Ouverture 2'49 2 II. Air en rondeau pour les amours, Gracieusement 2'04 3 III. Marche 0'51 4 IV. Marche, Gracieusement 1'51 5 V. Premier air des Furies. Gravement 1'45 6 VI. Premier et deuxième air des Matelots, Gravement-Pesamment-Vivement 2'09 7 VII. Premier rigaudon en tambourin, Très vite 0'31 8 VIII. Deuxième air des Chasseurs (et des chasseresses) en rondeau 1'54 9 IX . Première et deuxième gavottes, Vite 1'45 Hector Berlioz Symphonie fantastique op.14 10 I. Rêveries - Passions 14'43 11 II. Un bal 6'26 12 III. Scène aux champs 16'25 13 IV. Marche au supplice 7'11 14 V. Songe d'une nuit de sabbat 10'13 |
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