搜尋

演奏家

Chaushian, Alexander (cello) 亞歷山大.喬西安 (大提琴)

 

Born in Armenia, Alexander first studied wit his grandfather. After studying at the Yehudi Menuhin School with Melissa Phelps, he came to the Guildhall School of Music and Drama where from 1995-1999 he studied with Oleg Kogan. From 2000-2002 he held a fellowship at the Royal Academy of Music as a member of the Kempf trio. In 2003 he pursued advanced studies at the Hochschule für Musik Hanns Eisler in Berlin with the late Boris Pergamenschikiow and later with David Geringas, graduating with distinction in 2005.

Alexander’s long list of prizes include First Prize in the Premio Mozart Competition in Verona, First Prize in the International Music Competition in Holland, the Guilhermina Suggia Gift in London on three occasions, the Orchestra of New England Soloist Prize and First Prize for the Young Concert Artists in New York. He was the joint recipient of the Pierre Fournier Award, and was awarded Third Prize in the 12th International Tchaikovsky Competition in Moscow and at the ARD international Competition in Munich.

Alexander Chaushian has performed with the Vienna Chamber Orchestra, the London Mozart Players, the Academy of St Martin-in-the-Fields, the Philharmonia and the Royal Philharmonic orchestras, the Orchestre de la Suisse Romande, the Royal National Orchestra of Belgium, the Boston Pops and the Armenian Philharmonic orchestras.

Alexander has collaborated with many distinguished musicians such as Levon Chilingirian, Dimitri Sitkovetsky, Christoph Poppen, David Geringas, Yuri Bashmet and Gidon Kremer.

From 2002 until the present day he has acted as artistic director of the Orpheus and Bacchus Festival in Bordeaux, The Pharos Trust festival in Cyprus and Yerevan international Music Festival in Armenia. Alexander is a BIS label recording artist.

顯示方式: 列表 / 方格
顯示:
排序方式:
俄羅斯大提琴奏鳴曲 (蘇德賓, 喬西安) Russian Cello Sonatas (Sudbin, Chaushian)
1860年至1934年間被譽為俄羅斯音樂重要時期,也是這張CD曲目的完成年代。從俄羅斯五人組為首崛起的俄羅斯學派,到史達林批評蕭士塔高維契的歌劇穆森斯克郡的馬克白夫人,導致之後的俄羅斯作曲家必須..
溫伯格:大提琴奏鳴曲 Weinberg:Cello Sonatas
「我記得當我坐在管弦樂團裡的鋼琴前,我的呼吸跟著每個樂句、每個音樂的想法緊緊起伏,就好像有千萬的電流通過我的身體」米爾契斯拉夫.溫伯格在往後曾描述自己人生中最關鍵的時刻–那是1940年一場蕭士塔..