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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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羅西尼&霍夫麥斯特:低音大提琴的弦樂四重奏 / Rossini & Hoffmeister – Quartets with Double Bass
Gioachino Rossini (1792–1868) 1 – 3 ) Sonata No. 1 in G ma jor 11'35 fro..
美國殘像 American Spectrum
  Michael Daugherty (1954-)   ..
美國薩克斯風四重奏作品 (拉榭爾薩克斯風四重奏) America Music for Saxophone Quartet (Raschèr Saxophone Quartet)
拉榭爾薩克斯風四重奏團四重奏團創立於一九六九年,是當代資格最老的古典薩克斯風四重奏團。該團的團名是借自三零年代開創古典薩克斯風演奏領域聞名的薩克斯風演奏家西古爾德.拉榭爾的姓,和拉榭爾本人常向米..
美國長號協奏曲 American Trombone Concertos
林柏格這位世界首席長號手,為這項樂器開闢前所未有的寬廣曲目,他的每一種嘗試、每一張專輯,都為樂迷帶來特別驚艷的強烈感受。就像這張【美國長號協奏曲】一樣,林柏格再次獻上20世紀美國的長號樂曲,事實..
美國長號協奏曲第二集 American Trombone Concertos, Vol.2
長號演奏家林柏格1958年出生於瑞典。十七歲才開始學長號的他,由於天資聰穎,一年後即考入斯德哥爾摩皇家音樂院。歷年來林柏格出過許多長號專輯:如「長號巨匠」「滑稽長號」…等,這一張「美國的長號協奏..
Empfehlung des Monats, Fono Forum Recording of the Month, MusicWeb In..
義大利和英國的直笛和魯特琴音樂Italian and English Music for Recoder and Lute
早期的十七世紀義大利器樂多少有著對愛情的渴望、有幾許輕巧的舞步…等氛圍,都和義大利的歌劇世界有許多的關聯。其簡短而對比的小品有時會讓人有似歌劇器樂場景的印象。當時鮮少有為直笛所作的曲子,大都為小..
義大利奇塔洛尼琴的巨匠光輝 Italian Virtuosi of the Chitarrone
擁有超過160公分的長度和高達16根的琴弦,這些特點讓奇塔洛尼琴成為巴洛克早期的特殊樂器代表之一。這個名稱原先的意思可能是指「大型的奇塔拉琴」,奇塔拉是古典希臘時期詩人經常彈奏的樂器。之後這項樂..
聖桑: A大調第一, 二號交響曲 尚-賈克.康特洛夫 指揮 比利時列日皇家愛樂	Jean-Jacques Kantorow / Saint-Saens: Symphonies Nos 1 & 2
聖桑: 降E大調第一號交響曲/a小調第二號交響曲 尚-賈克.康特洛夫 指揮 比利時列日皇家愛樂管弦樂團 ..
聖桑: 第3.4.5號鋼琴協奏曲 亞歷山大.康特洛夫 鋼琴 尚-賈克.康特洛夫 指揮 (芬蘭)塔皮歐拉小交響樂團 	Alexandre Kantorow / Saint-Saens - Piano Concertos Nos 3-5
Alexandre Kantorow, piano TapiolaSinfonietta/ Jean-Jacques Kanto..