莫札特: 鋼琴協奏作品第四集 尚-艾弗藍．巴佛傑, 鋼琴 加博．塔卡許-納吉 指揮 曼徹斯特室內管弦樂團 Jean-Efflam Bavouzet / Mozart: Piano Concertos, Vol. 4

尚-艾弗藍．巴佛傑, 鋼琴
加博．塔卡許-納吉 指揮 曼徹斯特室內管弦樂團

巴佛傑和塔卡許-納吉指揮曼徹斯特室內管弦樂團的莫札特鋼琴協奏曲前三集受到廣泛的好評, 因此Chandos唱片公司很高興的發行這個系列備受期待的第四集.

莫札特的最受歡迎的兩首鋼琴協奏曲是在1785年初的一個月內完成的. 第20號KV466是他的第一個以小調寫的協奏曲, 此曲的陰暗與狂暴的本質和輕快而且明朗氣氛的第21號KV467形成對比.

和他的許多首鋼琴協奏曲一樣, 這兩件作品都是為了維也納音樂季而寫的, 並且在首演時由莫札特親自彈奏鋼琴.

在這專輯兩件協奏曲的中間穿插有同樣特質的歌劇(唐喬凡尼)活潑生動的表演, 更進一步的示範了曼徹斯特室內管弦樂團的典型演奏模式.

Jean-Efflam Bavouzet piano
Manchester Camerata
Gabor Takacs-Nagy

Jean-Efflam Bavouzet’s first three volumes of Mozart concertos with the Manchester Camerata and Gabor Takacs-Nagy have been received with widespread acclaim, and so it is with some excitement that we release the keenly anticipated fourth instalment in the series.

Composed within just one month in early 1785, these two concertos by Mozart are among the most popular of all his piano concertos. No. 20, KV 466 was his first concerto in a minor key, and its dark and stormy nature contrasts with the light and sunny atmosphere of Concerto No. 21, KV 467.

Like so many of his piano concertos, both works were composed for the Vienna concert season and were given their premiere performances with Mozart at the keyboard.

The two concertos are interspersed on this recording with a vivid performance of the Overture to Don Giovanni, which shares traits with both concertos and further demonstrates the exemplary playing of Manchester Camerata.