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費雪迪斯考 男中音
史提芬‧史托爾泰茲 指揮
慕尼黑廣播管弦樂團
Hardly any other singer was more associated with and
devoted to the nigh 300 songs by the Austrian composer
Hugo Wolf than Dietrich Fischer-Dieskau. Utterly convinced
by the richness of Wolf’s oeuvre, Fischer-Dieskau took Wolf’s
previously hardly heeded songs to many stages throughout the
world. Reger was frowned upon as an ‘awkward traditionalist’
and ‘piece worker’, but Reger’s songs show a completely
different, moving and profound side of the composer, who
takes a significant position in the song composition of the
turn of the century. Even Fischer-Dieskau did not devote
himself to Reger exactly frequently, unlike his downright
encyclopaedic approach in other fields. In his recording of
a number of particularly fine gems among Reger’s orchestral
songs, he was supported by Gerd Albrecht. The outcome
is an artistic symbiosis of the highest quality, testifying to a
passion and ardency that can be found seldom: a veritable
sound document!
H. Wolf: Prometheus
H. Wolf: Anakreons Grab
H. Wolf: Harfenspieler I
H. Wolf: Harfenspieler II
H. Wolf: Harfenspieler III
H. Wolf: Und willst du deinen Liebsten sterben sehen
H. Wolf: Sterb' ich, so hüllt in Blumen meine Glieder
H. Wolf: Denk' es, o Seele
H. Wolf: Gebet
H. Wolf: Fußreise
H. Wolf: Gesang Weylas (1888)
H. Wolf: Seufzer
H. Wolf: Der Freund
H. Wolf: Herz, verzage nicht geschwind (from: Spanisches Liederbuch – Weltliche Lieder)
H. Wolf: Drei Lieder nach Gedichten von Michelangelo (Wohl denk' ich oft, Alles endet, was entstehet, Fühlt meine Seele)
M. Reger: Der Einsiedler op. 144a
M. Reger: Hymnus der Liebe op. 136
M. Reger: Requiem op. 144b
M. Reger: An die Hoffnung op. 124
Artists:
Dietrich Fischer-Dieskau (Bariton)
Münchner Rundfunkorchester (Orchester)
Stefan Soltesz (Dirigent)
St. Michaelis Chor Hamburg (Chor)
Monteverdi Chor Hamburg (Chor)
Philharmonisches Staatsorchester Hamburg (Orchester)
Gerd Albrecht (Dirigent) |
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