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韓德爾: 六首大協奏曲,作品6(第1-6號) 馬丁·蓋斯特 指揮 范迪門的樂團 Van Diemen's Band / Handel: Six Concerti Grossi, Op. 3



韓德爾: 六首大協奏曲,作品6(第1-6號) 馬丁·蓋斯特 指揮 范迪門的樂團	Van Diemen's Band / Handel: Six Concerti Grossi, Op. 3
韓德爾: 六首大協奏曲,作品6(第1-6號) 馬丁·蓋斯特 指揮 范迪門的樂團	Van Diemen's Band / Handel: Six Concerti Grossi, Op. 3
專輯編號: BISSACD2079
專輯類型: SACD
發行年份: 2021
國際條碼: 7318599920795
音樂廠牌: BIS
庫存狀態: 有庫存
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韓德爾: 6首大協奏曲,作品6(第1-6號)
馬丁·蓋斯特 指揮/管風琴
范迪門的樂團

眾所周知的'韓德爾作品3'很可能只是倫敦出版商約翰.沃爾許(John Walsh)厚顏無恥的嘗試很快的賺點錢. 在1715年, 沃爾許出版了一份盜版但證明是很快暢銷的柯瑞里(Corelli)12首大協奏曲,作品6, 之後他就經常的尋找類似的機會. 在差不多二十年之後, 也許是因為知道皇家給韓德爾音樂作品的保護即將到期, 沃爾許集合了一組六首給各種樂器演奏的管弦樂作品. 他在開頭放上完全誤導的標題頁 – 根據柯瑞里的系列風格定義 – 並將它們宣傳為韓德爾的'第三號歌劇'(Opear Terza). 
 
韓德爾很可能從未介入選曲與配置個別的樂章, 但在數年後有需要修訂重印時, 他也許有參與. 這六首協奏曲選自各種來源, 不夠組成一個自然完整的全套 – 和未來韓德爾細心構思完整一組的大協奏曲,作品6,來對比是完全相反的. 事實依舊的是作品3包含了韓德爾最受喜愛的音樂, 在樂器組合方面是多采多姿和經常的令人出乎意料 – 是指揮馬丁.蓋斯特和他的塔斯馬尼亞區古樂團(范迪門的樂團)充分利用的層面.
 

What we know as 'Handel's Opus 3' is most likely little more than a brazen attempt by the London publisher John Walsh to make some quick money. In 1715, Walsh had issued a pirated edition of Corelli's 12 Concerti Grossi Opus 6 which proved an instant success, and left him constantly looking for similar opportunities. Almost 20 years later, perhaps in the knowledge that the royal protection granted to Handel's musical output was about to expire, Walsh assembled a set of six orchestral pieces for a wide range of instruments. He prefaced them with a wholly misleading title-page – based on Corelli's style-defining collection – and advertised them as Handel's 'Opera Terza'.

It is likely that Handel never took part in the selection and organisation of the individual movements, although he may have been involved in the revisions made when a reprint was necessary a few years later. Selected from various sources, the six concertos certainly don't form an organic cycle – in complete contrast to the future Op. 6 concerti grossi, which Handel carefully conceived as a set. The fact remains that Opus 3 contains some of Handel's best-loved music, in instrumental combinations that are colourful and often unexpected – aspects that Martin Gester and his musicians in the Tasmanian period band Van Diemen's Band make the most of.

Concerto Grosso No. 2 in B flat major, HWV 313 11'59
01 I. Vivace 1'52
02 II. Largo 2'45
03 III. Allegro 2'21
04 IV. [Tempo di minuetto] 1'37
05 V. [Gavotte] 3'24
 
Concerto Grosso No. 3 in G major, HWV 314 8'22
06 I. Largo e staccato 0'38
07 II. Allegro 2'45
08 III. Adagio 1'00
09 IV. Allegro 3'59
 
Concerto Grosso No. 5 in D minor, HWV 316 10'01
10 I. [no tempo marking] 1'33
11 II. Allegro [ma non presto] 2'21
12 III. Adagio 1'32
13 IV. Allegro ma non troppo 1'41
14 V. Allegro 2'54
 
Concerto Grosso No. 6 in D major, HWV 317 10'33
15 I. Vivace 2'43
16 II. Adagio 3'49
17 III. Allegro 4'01
 
Concerto Grosso No. 4 in F major, HWV 315 12'25
18 I. Andante — Allegro — Lentamente 6'19
19 II. Andante 1'49
20 III. Allegro 1'34
21 IV. Minuetto a & b alternatim 2'43
 
Concerto Grosso No. 1 in B flat major, HWV 312 8'49
22 I. Allegro 2'43
23 II. Largo 4'07
24 III. Allegro 1'59
 
Album total 62'20
Van Diemen's Band. Martin Gester

 

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