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杜飛: 愛情王子 (15 世紀的宮廷詩歌)
多米尼克．維雅 指揮
吉利班斯瓦合奏團
In the courts of the 15th century, music was a constant companion; the chanson was a daily pleasure, it was a vehicle for poetry, expressed passions, was a remedy for pain, and sublimated the richness of amorous relationships with its mastery and the refinement of its means. The chanson was perhaps the musical form in which Dufay, despite being a man of the Church, best expressed his immense talent. His 80 chansons show great diversity, enabling us to appreciate the constant evolution of the aesthetic of the genre. Throughout this evolution, Dufay was always seen as an absolute master among his peers, owing to the perfection of his writing and its intense expressivity, and enriched the history of music with a masterly oeuvre that went far beyond the stylistic boundaries of the time.
The Ensemble Gilles Binchois chose to record 20 of Dufay's chansons in which courtly love finds its most beautiful expression and refinement.
1 Par droit je puis bien complaindre et gemir 00:03:24
2 Dona gentile, bella come l'oro 00:04:29
3 Belle, que vous ay je mesfait 02:21
4 Les douleurs dont me sens tel somme 05:02
5 L'alta belleza 02:40
6 Je ne suy plus tel que souloye 00:02:22
7 Adieu m'amour, adieu ma joye 05:17
8 He compaignons, resvelons 02:31
9 Ce moy de may soyons lies et joyeux 03:37
10 Estrinez moy, je vous estrineray 03:40
11 Ce jour le doibt, aussi fait la saison 03:57
12 Ne je ne dors, ne je ne veille 05:33
13 Resvelons nous, resvelons amoureux / Alons ent bien tos au 01:16
14 Mille bonjours je vous presente 02:20
15 En triumphant de Cruel Dueil 05:49
16 Adyeu, quitte le demeurant 01:56
17 Je me complains piteusement 02:20
18 Franc cuer gentil 01:49
19 Pour l'amour de ma doulce amye 03:48
20 Mon chier amy, qu'aves vous 06:34 |
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