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舒伯特:天鵝之歌 (詹姆士.拉塞福, 男中音 / 尤金.阿斯提, 鋼琴) Schubert:Schwanengesang (James Rutherford, baritone / Eugene Asti, piano)



舒伯特:天鵝之歌 (詹姆士.拉塞福, 男中音 / 尤金.阿斯提, 鋼琴) Schubert:Schwanengesang (James Rutherford, baritone / Eugene Asti, piano)
舒伯特:天鵝之歌 (詹姆士.拉塞福, 男中音 / 尤金.阿斯提, 鋼琴) Schubert:Schwanengesang (James Rutherford, baritone / Eugene Asti, piano)
專輯編號: BISSACD2180
專輯類型: SACD
發行年份: 2016
國際條碼: 7318599921808
音樂家:
音樂廠牌: BIS
庫存狀態: 有庫存
定價: $650.00
特價: $590.00
購買數量:  
   - 或 -   
Compared to Franz Schubert's two 'true' song cycles, Die schöne Müllerin and Winterreise,
Schwanengesang poses far more questions – to performers, listeners and musicologists alike. It is in
fact a compilation of two different sets of songs, to texts by Ludwig Rellstab (seven songs) and Heinrich
Heine (six). In his manuscript, dated 'August 1828’, Schubert wrote out the songs without any title page
or numbering. Following the composer's death three months later, the publisher Tobias Haslinger
added the single song Die Taubenpost, written in October 1828, and brought out the posthumous
collection entitled, appropriately, 'Swan Song'. How, or indeed if, Schubert himself intended to combine
these songs, we do not know – and rather than a cycle developing a single narrative thread or state of
mind, they form a series of masterful snapshots of all that life can offer. (The four miscellaneous songs
which close this programme serve as a further demonstration of the astonishing versatility of their
maker and his boundless musical resourcefulness.) As a result performances of Schwanengesang usually
vary, with certain songs left out, unrelated songs being included, and the order of the songs adapted
according to the occasion. During the 15 years that they have collaborated on these songs, James
Rutherford and Eugene Asti, have done all of the above, but for their recording of the collection they
have decided to stay as close to the original as possible, with the exception of including Herbst, another
Rellstab setting from Schubert's final year. Schubert's manuscript is written for high voice, and
Rutherford and Asti has chosen to transpose each song down a minor third – a seemingly obvious
decision, but in fact this recording is one of the few, if not the only, by a baritone in which the original
tonal relationships between the songs is retained.

 

Schwanengesang, D.957
including Herbst, D.945
Die Forelle, D.550 · Auf der Bruck, D.853
Gruppe aus dem Tartarus, D.583 · An die Musik, D.547

 

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