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舒曼:交響作品全集 Vol. 3 Schumann:Complete Symphonic Works, Vol. III



舒曼:交響作品全集 Vol. 3 Schumann:Complete Symphonic Works, Vol. III
專輯編號: AUD97679
專輯類型: 單CD
發行年份: 2014
國際條碼: 4022143976796
音樂家:
音樂廠牌: AUDITE
庫存狀態: 有庫存
定價: $570.00
特價: $520.00
購買數量:  
   - 或 -   
audite is delighted to present the third volume of the complete orchestral works by
Robert Schumann. This series comprises all the symphonies (including both versions of
the Fourth Symphony in D minor) as well as all the overtures and concertos.
Featuring the Cello Concerto and the second version of the D minor Symphony, this
CD presents two major works that Schumann composed and revised during his time
as music director in Düsseldorf. In both works, the movements of the classical model merge into
one another without interruption. By transforming themes and musical codes he creates a stream of
thought and coherence akin to the course of a narration or abstract theatre. His original version of
the D minor Symphony of 1841 was pioneering in its literarisation of musical form. When he began
revising it in 1851, the first Symphonic Poems of Franz Liszt had been performed: they aspired to a
greater fusion of music and literature. In his revision of the D minor Symphony, Schumann discreetly
reinforced the traditional symphonic elements of the work. The obvious references to Mendelssohn
in his Cello Concerto suggest that he regarded multi-part forms as “narrations without words”, or as
“bigger siblings” of the “songs without words”. According to Schumann, neither genre required explanation
via a literary programme.
The original version of the D minor Symphony is included in the first volume of this series. Both versions,
whose relationship remains an object of divisive discussion to the present day, can therefore be
compared to one another.
Holliger’s interpretations draw on a life-long study of Schumann’s oeuvre, thought, personality and
fate. Holliger’s approach imparts lightness and lucidity to these opulent scores thanks to a hierarchical
balance of parts, delicately graded dynamics and invigorating tempi. The widespread image of this
romantic composer as a weak orchestrator is thus refreshingly rectified.

 

Symphony No.9 in D minor, Op. 125

 

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