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李斯特:交響詩(馬捷帕)
歌劇((薩達那帕拉之死)
基理爾.卡拉畢茲 指揮
威瑪國家管弦樂團
Weimar Staatskapelle
Kirill Karabits
Contrary heroes: Mazeppa and Sardanapalo performed by Karabits and the Weimar Staatskapelle
Sardanapalo, who prefers wine and concubines to politics and warfare, and Mazeppa, who dies with glory, having endured pain and humiliation: dramatic literary models, impressively set to music by Franz Liszt. Written at the same time, these works represent Liszt's ideas striving to unite literature and music, on the one hand modernising Italian opera and on the other advancing towards the symphonic poem in his orchestral writing.
The Sardanapalo manuscript comprises the first act. For 170 years the material lay dormant in the Goethe and Schiller archive in Weimar: it was only in 2017 that David Trippett deciphered, edited and orchestrated the manuscript at the University of Cambridge.
Kirill Karabits conducts the Weimar Staatskapelle: Liszt's orchestra in the city in which he composed the opera. audite continues its series of the great Weimar Kapellmeister-composers.
FRANZ LISZT
1 Mazeppa. Symphonic poem No. 6, S. 100 (15:32)
FRANZ LISZT Sardanapalo (unfinished opera, S. 687) (51:17)Joyce El-Khoury /
2 Act I, Scene I: Preludio (01:55)
3 Act I, Scene I: “Vieni! Risplendono festive faci” (Chorus of Concubines) (03:43)
4 Act I, Scene I: “Oh del tetto paterno” (Mirra) (01:56)
5 Act I, Scene I: “L‘altera Ninive a te s‘inchina” (Chorus of Concubines) (04:23)
6 Act I, Scene II: “Più lunga cura” (Mirra) (03:00)
7 Act I, Scene II: “Giù pel piano” (Mirra) (01:42)
8 Act I, Scene II: “Sogno vano" (Mirra) (03:07)
9 Act I, Scene II: “Ahi! Nell’ansio rapimento” (Mirra) (03:01)
10 Act I, Scene III: “Nella tua stanza” (Sardanapalo, Mirra) (01:47)
11 Act I, Scene III: “Parla! Parla!” (Sardanapalo, Mirra) (02:51)
12 Act I, Scene III: “Sotto il tuo sguardo” (Sardanapalo, Mirra) (06:26)
13 Act I, Scene IV: “Mentre a tuo danno” (Beleso) (04:42)
14 Act I, Scene IV: “Se sol l’armi” (Sardanapalo) (02:07)
15 Act I, Scene IV: “Oh perché, perché quel core” (Mirra, Beleso) (02:32)
16 Act I, Scene IV: “Che far pensi?” (Beleso, Sardanapalo, Mirra) (02:43)
17 Act I, Scene IV: “Diletta vergine” (Sardanapalo, Beleso, Mirra) (02:20)
18 Act I, Scene IV: Allegro deciso (03:02) |
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