Bach and the South German Tradition II

專輯編號： AUD92548

專輯類型： SACD

發行年份： 2011

國際條碼： 4022143925480

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庫存狀態：有庫存

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“Apart from Froberger, Kerl and Pachelbel he [Bach] loved and studied the works of […] Buxtehude, Reincken,
Bruhns and the Lüneburg organist Böhm.” Carl Philipp Emanuel Bach 1775
The South German organ tradition with its variety in melody and form, counterpoint and compositional
techniques including pedal point, imitation and development of motifs was an important influence on the
works of Johann Sebastian Bach.
Having illustrated connections between the North German composers and Bach with the disc of Bach,
Böhm, Buxtehude (audite 92.547), this disc now highlights the importance of the South German composers
Johann Jakob Froberger, Johann Caspar Kerll, Georg Muffat and Johann Pachelbel in relation to
Bach’s oeuvre.
In addition, this SACD realises the historical performance practice of the Magnificat: The verses of the
Magnificat were performed alternately by the cantor and the organ. For this recording works by Pachelbel
and Bach are newly combined in a traditional performance of the Magnificat including sung and played
verses, forming one musical unity.
Two different instruments with different tunings have been used for this recording: the two early works by
Froberger and Kerll are performed on the historic choir organ by Blasius Bernauer (1776) in Laufenburg,
Switzerland, and the remaining works are played on the new Metzler organ (2005) in Stuttgart- Obertürkheim.

J. S. Bach: Toccata in F, BWV540 • Fugue on the Magnificat, BWV733* •
Trio Sonata in C , BWV529 • Fugue in F, BWV540
G. Muffat: Toccata sexta
J. Pachelbel: Magnificat primi toni*
J. C. Kerll: Toccata I
J. J. Froberger: Capriccio XII

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