Joaquin Turina belongs to this category of musicians, too sparse in my opinion, that already left its mark on History and that,
instead of treating guitar with disdain, has written for it with a certain assiduity. Unlike so many composers, otherwise
excellent, he 'hears' the guitar, he is even the first to hear its open strings, like Kodaly has been the first to hear those of the
cello. In Turina's music, there is also an adequacy between style and musical thinking on one side and the instrument on the
other; bordering on the famous balance that defines true classicism.

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