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Music-lovers are by now familiar with the Tenebrae Lessons, the settings of the Lamentations of Jeremiah sung throughout
Catholic Europe on Wednesday, Thursday and Friday evenings of Holy Week. The Renaissance had delighted in them, and
France under Louis XIV was to cultivate the genre to excess. In Italy, the fashion for Lamentazioni belongs to the first half of
the 17th century, as witness the 23 cycles of manuscript Q43 of the Museo musicale in Bologna, all by composers active in
Rome at the time. Maria Cristina Kiehr and Concerto Soave revive the pleasures of sheer contrition to be had from singing
words such as afflictio, dolor, and lamentatio . . .
This title was released for the first time in
Giacomo Carissimi
1 Incipit Lamentatio Ieremiae ProphetaeFeriae V in Coena Domini, Lectio Prima 7'47
2 VaùFeriae V in Coena Domini, Lectio Seconda 6'31
Michelangelo Rossi
3 Toccata Quarta 4'34
Girolamo Frescobaldi
4 Jod. Manum suamFeriae V in Coena Domini, Lectio Terza 8'08
Giovanni Pierluigi da Palestrina
5 Heu mihi Dominepasseggiato per la viola 5'05
Anonymous
6 De Lamentatione Ieremiae ProphetaeFeriae VI in Parasceve, Lectio Prima 4'33
7 LamedFeriae VI in Parasceve, Lectio Seconda 4'35
Giovanni Girolamo Kapsberger
8 Toccata Quinta 4'26
Anonymous
9 De Lamentatione Ieremiae ProphetaeSabbati Sancti, Lectio Prima 7'14
10 Toccata arpeggiata 2'27
Giovanni Francesco Marcorelli
11 Aleph. Quomodo obscuratum est aurumSabbati Sancti, Lectio Seconda 5'59
Anonymous
12 Incipit Oratio Ieremiae ProphetaeSabbati Sancti, Lectio Terza 6'49 |
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