李斯特:交響詩篇 第1集 弗利柴/卡拉揚/庫貝利克 指揮 / Liszt / Symphonic Poems

Both the term 'symphonic poem' and the form itself were invented by Franz Liszt, who in works such as 'Les Preludes' 1848,
after Alphonse de Lamartine's 'Meditations poetiques', used thematic concepts to depict programmatic scenes and emotions
in his orchestral works. This is also true of Byron's 'Tasso, lamento e trionfo' the subject matter of which was earthly
disappointments and divine triumph; something which was later to feature in Victor Hugo's 'Mazeppa', where even Mazeppa's
fall from his horse is described in orchestral terms.