布拉姆斯: 第一,第二號大提琴奏鳴曲 喬弗洛.庫托 鋼琴 拉斐爾·佩荷 大提琴 Geoffroy Couteau, Raphael Perraud / Brahms: The Two Cello Sonatas

布拉姆斯: 大提琴奏鳴曲第一號E小調,作品38, 大提琴奏鳴曲第二號F大調,作品99
拉斐爾·佩荷 大提琴
喬弗洛.庫托 鋼琴

鋼琴家喬弗洛.庫托在2016年春季以眾所周知的熱忱出版了布拉姆斯鋼琴作品全集(LDV170.5), 在這張新專輯中搭配大提琴家拉斐爾·佩荷繼續出版布拉姆斯的作品. 這兩首大提琴與鋼琴奏鳴曲構成布拉姆斯作品集中最重要的部份. 在純粹內心的境界中, 具有強烈抒情力量, 讓人一窺他的年輕時期與高度成熟時期的作品(接近他最後完成的第四號交響曲時期). 這兩首變化多端人性化的奏鳴曲是室內樂成就的巔峰, 同時要求詮釋者的互補與滲透作用.

喬弗洛.庫托和拉斐爾·佩荷施展技巧純熟的平衡, 甜蜜與憤怒, 憂鬱與狂暴, 冥想與喜悅被流利自然的曲調變化所結合. 這奇妙的大提琴與鋼琴之間鬥爭的觀點在此節目中永遠不停的持續深入與發揮抒情效果.

Geoffroy Couteau continues to serve the work of Brahms, here in the company of cellist Raphael Perraud, with the fervor we have known him since his complete works for piano published in Spring 2016. The two sonatas for cello and piano constitute pages of prime importance in Brahms's corpus. Powerfully lyrical, a realm of pure interiority, they provide a glimpse of his youthful period as well as that of his great maturity, close to his fourth and final symphony. Summits of chamber music, these Sonatas of a protean humanity demand from their interpreters as much complementarity as osmosis.

Geoffroy Couteau and Raphael Perraud impose a skillfully matured balance. Sweetness and rage, melancholy and frenzy, meditation and exaltation are combined in inflections of eloquent spontaneity. The fantastic aspect of this battle between cello and piano never ceases to gain in depth and lyricism throughout this program.