貝多芬/舒伯特/楊.瓦茲拉夫.沃日謝克:大提琴奏鳴曲及改編曲
烏爾西娜.瑪麗亞.布勞恩 大提琴
佛洛里安.伯爾薩克 古鋼琴
音樂的個體性,而非共生的融合: 使用古時代樂器, 但以最大自由度的表達力, 貝多芬, 舒伯特和沃日謝克十九世紀初在維也納作品的音樂細節直接向聽眾表達.
Musical individuality rather than symbiotic fusion: on historical instruments, but with the greatest expressive freedom, the musical details of Beethoven, Schubert, and Vorísek's works from early-nineteenth-century Vienna speak directly to the listener.
Ludwig van Beethoven
1 7 Variationen uber ‘Bei Mannern,
welche Liebe fuhlen’ WoO 46 9:49
Franz Schubert / Leopold Jansa (Arr.)
2 ‘Die Taubenpost’
aus Schwanengesang D 957 4:17
Jan Vaclav Vorísek
Variationen fur Cello & Klavier op. 9 16:09
3-11 I. Introduzione (4:19) • II. Thema (0:52)
III. Variation 1 (0:54) • IV. Variation 2 (0:41)
V. Variation 3 (0:58) • VI. Variation 4 (2:20)
VII. Variation 5 (1:32) • VIII. Variation 6 (1:28)
IX. Finale (3:05)
Franz Schubert / Leopold Jansa (Arr.)
12 An die Musik op. 88/4, D 547 2:59
Ludwig van Beethoven
Cellosonate Nr. 3 A-Dur op. 69 25:57
13 I. Allegro ma non tanto 12:07
14 II. Scherzo. Allegro molto 5:03
15 III. Adagio cantabile 1:41
16 IV. Allegro vivace 7:06
Franz Schubert / Leopold Jansa (Arr.)
17 ‘Abschied’ aus Schwanengesang D 957 3:38
Franz Schubert / August Lindner (Arr.)
18 ‘Standchen’ aus Schwanengesang D 957 5:26 |
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