布梭尼: 第1,2號小提琴奏鳴曲/四首小品 法蘭倩絲卡.黛戈 小提琴 法蘭倩絲卡.列奧納迪 鋼琴 Francesca Dego, Francesca Leonardi / Busoni: Violin Sonatas

布梭尼: 第1,2號小提琴奏鳴曲/四首小品
法蘭倩絲卡.黛戈 小提琴
法蘭倩絲卡.列奧納迪 鋼琴

在她最近錄製的布梭尼小提琴協奏曲(CHSA5333)錄音專輯之後, 法蘭倩絲卡.黛戈以這個兩首小提琴與鋼琴奏鳴曲和四首小品的節目完成她紀念布梭尼逝世一百週年. 兩首小提琴奏鳴曲都是用E小調寫的, 顯示出布梭尼根基於德國浪漫主義的傳統風格. 第一號奏鳴曲緊密的仿效布拉姆斯D小調小提琴奏鳴曲(正如同布梭尼的小提琴協奏曲一樣是受到布拉姆斯作品的啟發). 第二號奏鳴曲在第一號的十年之後完成, 在風格上很容易辨識出仍然是屬於浪漫主義, 但是比前一首更有份量, 更加細膩與更複雜. 其不尋常的六個樂章格式是以巴哈’安娜瑪格妲琳娜筆記’中的一首合唱曲為中心, 其他圍繞著中心的音樂部份依循一個環狀軌跡, 開頭的主題旋律在最後結束時再度出現. 創作年代在這兩首奏鳴曲之前的四首小品是為非常年輕的伊岡.佩特里(Egon Petri)所寫的, 當時布梭尼與他的母親墜入情網. 這些趣味的作品在風格上比兩首奏鳴曲輕盈許多而且比較不那麼嚴肅, 展現出布梭尼作品中少見的某種生活的樂趣(joie de vivre).

Following her recent recording of Busonis Violin Concerto (CHSA 5333), Francesca Dego completes her celebration of Busonis anniversary year with this programme of the two sonatas for violin and piano, and the four Bagatelles. The violin sonatas, both written in the key of E minor, reflect Busonis grounding in the German romantic tradition. The fist sonata is closely modelled on Brahmss Violin Sonata in D minor (just as Busonis Violin Concerto was inspired by that of Brahms). The second sonata, completed a decade after the first, is still recognisably romantic in style, but it has more weight, nuance, and complexity than its predecessor. Its unusual six-movement form is centred on a Bach Chorale from the 'Anna Magdalena Notebook, around which the rest of the music follows a circular path, the theme of the opening returning at the very end of the work. Dating from earlier than either sonata, the four Bagatelles were written for (a very young) Egon Petri, with whose mother Busoni had fallen in love. These playful works are much lighter and less serious in style than either of the sonatas, and demonstrate a certain joie de vivre that is unusual in Busonis output.