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BIS

瑞典 BIS 官網連結

BIS公司由瑞典人羅勃‧馮‧巴爾(Robert Von Bahr)於1974年創立,因地緣與文化背景的關係,致力於北歐及蘇俄作曲家作品,如葛利格、西貝流士、尼爾森等人都是錄製的重點,至今已出版千餘張CD,榮獲英國留聲機大獎、企鵝三星帶花、企鵝三星…等不勝枚舉,是瑞典首屈一指的古典唱片公司。 
雖然BIS公司出版的作品都是一些冷門或被忽視的樂曲,但經巴爾精心策劃,並透過高度的音樂表現及一流錄音技術處理,都能順利的大量銷售,使公司一直維持良好的營運情況,毫無疑問的愛樂者對他的支持,是基於他對理想的堅持與對藝術執著的態度,BIS公司業績成長已是有目共睹,而且是一個擁有獨特理想與風格的唱片公司。 

BIS Records was founded in 1973 by Robert von Bahr, with the aim of helping world-class Swedish musicians to reach international audiences. Starting out with a Revox tape-recorder, two state-of-the-art microphones and a pair of non-magnetic scissors he immediately impressed connoisseurs by the natural sound of his recordings, and single-handedly built up a catalogue that could be exported all over the world.

 

Now in its 35th year, BIS is a flourishing and much respected label with more than 1.400 titles in stock – the only large record label to keep all its recordings constantly available. Going against the trend of the classical music business, BIS is expanding in various ways. With its present staff of 14 – including no less than six recording producers – BIS has become a leading player, yearly undertaking some 60 productions recorded all over the world: from Brazil to Japan, from Iceland to Australia.

This development is partly due to the universally recognized superior sound quality of its recordings, which include a growing number of high fidelity surround sound productions. The company’s reputation has attracted an impressive list of artists, including young high profile soloists such as pianist Yevgeny Sudbin and clarinettist Martin Fröst.

Another explanation lies in the label’s versatility. Ongoing projects include one of the most respected cycles of Bach Cantatas with period band Bach Collegium Japan as well as the highly praised series of Beethoven Symphonies with Osmo Vänskä and the Minnesota Orchestra. But at the same time, BIS is one of the liveliest contemporary music labels, promoting composers such as Schnittke and Kalevi Aho, as well as the Scandinavian music label par excellence – the jewel in the crown being the ongoing complete edition of the works by Sibelius.

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彼得森:第 4 & 16 號交響曲 Allan Pettersson:Symphonies Nos 4 & 16
彼得森(1911-80)是個徹頭徹尾以交響曲為主的作曲家,從1953到1980年以作曲家身份活躍的這段時間皆是如此,去世之前仍舊埋首創作交響曲。這些作品在瑞典的交響曲作品中更是佔有舉足輕重的地位。..
彼得森:第13號交響曲 Allan Pettersson:Symphony No.13
1951首次寫下第一號交響曲(從未完成),直到1980年過世完成第17號交響曲,彼得森在這三十年間幾乎全心投入交響曲的創作-當時許多作曲家都認為交響曲(包含交響樂團)已經算是步入黃昏的過時樂曲。..
彼得森:第九號交響曲 Pettersson:Symphony No.9 (incl. bonus DVD)
  Allan Pettersson composed his Ninth Symphony in 1970, two years after the Seventh had ..
彼得森:第五&七號交響曲 克里斯蒂安.林柏格 指揮 瑞典諾科平交響樂團 / Christian Lindberg / Allan Pettersson - Symphonies Nos 5 & 7
A characteristic trait in Allan Pettersson's music is the use of strong con..
彼得.馬替的聲樂萬花筒 Peter Mattei:A Kaleidoscope
無論是費加洛婚禮的伯爵或是與劇作同名的唐喬凡尼、尤金.奧尼根以及塞爾維亞的理髮師,憑藉著嘹亮嗓音和極具舞台魅力的個性,瑞典男中音彼得.馬替輕易的便征服了無數歌劇院的聽眾:紐約大都會歌、米蘭史卡拉..
彼德森:第六號交響曲 Allan Pettersson:Symphony No.6
瑞典20世紀重要作曲家亞蘭.彼德森所有交響曲中,第七號比起其他更具特別的意義,一部分固然是1968年首演迅速獲得各方好評,另一方面這首作品也被公認為作曲家自己的人生寫照。相較之下,首演時間相距不..
彼時~改編給銅管五重奏的文藝復興歌曲與舞曲 THEN - Renaissance Airs and Dances arranged for Brass Quintet
銅管五重奏雖然是新興的合奏模式,但是包含蕭姆管(單簧管和雙簧管的前身)以及古長號在內,集結許多管樂器組成的合奏團,早在文藝復興時期以前已經有跡可考。歐洲諸王的宮廷內都有自己專屬的演奏家,不多久這..
從A到Z長笛獨奏作品第三集 From A to Z Volume 3 (Sharon Bezaly, Flute)
BIS當家長笛天后莎朗.貝札莉,1997年卸任《薩爾茲堡音樂院管弦樂團》長笛首席,展開獨奏生涯,2002年被德國《古典迴聲》雜誌選為《最佳器樂獨奏家》。 本輯收錄作曲家姓氏字母為C和D者的無..
從A到Z長笛獨奏作品第二集~B與C From A To Z, Vol. 2 (Sharon Bezaly, Flute)
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從柏林到雅典 史卡柯塔斯的鋼琴音樂 蘿蓮達.拉摩 鋼琴	Lorenda Ramou / From Berlin to Athens: Piano Music by Nikos Skalkottas
鋼琴家蘿蓮達拉摩在柏林和雅典對斯卡爾科塔斯的藝術環境進行研究後,選擇了這張充滿專輯的作品以及表演. LorendaRamou..