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法國維奧爾琴重奏音樂之旅
詹姆斯.艾克斯 長頸魯特琴/巴洛克吉他
哈利.巴寇科 低音維奧爾琴
奇爾斯維奧爾琴合奏團
French music for viol consort through the ages
Following acclaimed recordings devoted to English music for viol consort, notably that of Christopher Simpson (BIS-2153), Henry Purcell (BIS-2583) and William Byrd (BIS-2663), the Chelys Consort now presents a programme that explores the kind of music that might have been played in France in the 16th and 17th centuries.
The works presented here include arrangements and fantasies on popular songs, dances and a suite, demonstrating the extreme versatility of the viola da gamba, which, alone or in a group, could adapt to all musical genres. Although the French golden age of said instrument was between the mid-17th and mid-18th centuries – represented here with works by Charpentier, Metru and Lully – the programme also gives prominence to earlier compositions, with dances and fantasies by Caroubel, Le Jeune, Moulinie, Du Caurroy, Louis Couperin and Du Mont. Finally, the programme also includes three pieces for solo guitar by François Campion, performed by guest musician James Akers. These pieces remind us that the baroque guitar, depicted foreshadowingly in paintings by Vermeer and Watteau, was to replace the lute as the most widespread domestic musical instrument.
A programme that emphasises elegance, refined melancholy, beautiful sound and a subtle dialogue between the different instruments.
PIERRE-FRANCISQUE CAROUBEL (1556–1611)
from Terpsichore, Musarum Aoniarum (1612)
1.Passamezze 2'41
2.Pavane de Spaigne 1'08
3.L'Espagnollette 0'57
4.Bransle double de Poictou 1 & 2 1'05
5.Bransle de Montirande 1 & 2 1'16
6.Gavotte 1'01
DIDIER LUPI SECOND (c. 1520–after 1559)
from Chansons spirituelles (1559)
7.Susanne un jour 1'59
CLAUDE LE JEUNE (c. 1530–1600)
from Meslanges, Livre I (1587)
8.Susanne un jour 3'42
ÉTIENNE MOULINIÉ (1599–1676)
from Cinquième Livre d'airs de cour à quatre & cinq parties (1639)
9.Troisième Fantaisie à 4 pour les violes 3'04
ANONYMOUS, arr. Tamsin Lewis & Ibrahim Aziz
10.Une jeune fillette 1'18
EUSTACHE DU CAURROY (1549–1609)
Five Fantaisies on ‘Une jeune fillette'
from Fantaisies à III. IIII. V. et VI. Parties (1610)
11.No. 29 (à 3) 1'22
12.No. 30 (à 3) 1'25
13.No. 31 (à 4) 1'26
14.No. 32 (à 4) 1'15
15.No. 33 (à 5) 1'20
LOUIS COUPERIN (c. 1626–1661)
from the ‘Oldham Manuscript'
16.Fantaisie à 5 parties 1'43
17.Fantaisie à 5 parties 1'33
HENRY DU MONT (1610–1684)
18.Allemande grave 5'14
from Meslanges à 2, 3, 4 et 5 parties (1657)
19.Symphonia 3'20
from Cantica Sacra (1652)
20.Allemande fugue 2'15
from Meslanges à 2, 3, 4 et 5 parties
FRANÇOIS CAMPION (c. 1686–1747)
from the Nouvelles decouvertes sur la guitare (c. 1705)
Fantaisie à 5 parties 1'43
Fantaisie à 5 parties 1'33
21.Prelude 1'27
22.Allemande. Tombeau 2'26
23.Gigue 0'39
MARC-ANTOINE CHARPENTIER (1643–1704)
Concert pour 4 parties de violes, H. 545 (c. 1680)
24-29
I. Prelude 1'36
II. [Sans titre] 1'51
III. Sarabande. Rondeau 1'57
IV. Gigue angloise 1'12
V. Gigue françoise 1'14
VI. Passecaille 2'12
NICOLAS MÉTRU (c. 1610–after 1663)
from the Fantaisies à deux parties pour les violes (1642)
30.Unziesme fantaisie 1'47
31.Dixiesme fantaisie 1'55
32.Neufiesme fantaisie 2'19
JEAN-BAPTISTE LULLY (1632–1687)
from Le bourgeois gentilhomme by Molière (1670)
33.Chaconne des Scaramouches 2'39 |
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