夜幕降臨後: 午夜幻想曲 英國文藝復興鍵盤音樂集
皮耶.加隆 鍵盤樂器
Pierre Gallon’s new programme portrays a night of music, hovering between fantasies and poetic dreams of the English Renaissance. His keyboards – harpsichords, a virginal and a toy piano – create a mosaic of nocturnal visions, interspersed with the fantastic and unexpected. As a contemporary counterpoint, Bernard Foccroulle’s Night (2023) reveals the light of a new dawn.
After Dark
A M i d n i g h t F a n t a s i a
I. Before Darkness Falls / Avant la tombee du jour
ANONYMOUS (16th century)
1 Like as the Lark within the Merlion’s Foot * 2’29
PETER PHILIPS (ca. 1560-1628)
2 Pavana Doloroso Tregian 6’46
3 Galiarda Dolorosa 2’12
ANONYMOUS (16th century)
4 O Death Rock Me Asleepe 2’37
II. At Nightfall / Au crepuscule
ANTHONY HOLBORNE (ca. 1545-1602)
5 The Night Watch * 1’29
WILLIAM BYRD (ca. 1540-1623)
6 The Bells * 4’19
RICHARD EDWARDS (1525-1566)
7 In Goinge to my Naked Bedde 2’22
JOHN BULL (ca. 1562-1628)
8 Bulls Goodnighte 4’06
III. The Night / La nuit
JOHN DOWLAND (1563-1626)
9 A Dream * 4’50
ANONYMOUS / Att. to THOMAS PRESTON (d. ca. 1563)
10 Uppon La Mi Re 3’38
WILLIAM BYRD
11 The Ghost 1’58
JOHN DOWLAND
12 Mr. Dowland’s Midnight * 2’34
BERNARD FOCCROULLE (b. 1953)
13 Night (2023) 4’21
World premiere recording / Premier enregistrement mondial
IV. At Daybreak / À l’aube
PETER PHILIPS
14 Ecco l’aurora 4’11
WILLIAM BYRD
15 Prelude 1’05
JOHN BULL
16 Fantasia MB 15 3’07
PETER PHILIPS
17 Bonjour mon cueur 3’34
V. Go Nightly Cares! / Hors ! Tourments de la nuit
JOHN BULL
18 Fantasia MB 12 6’18
ANONYMOUS (16th century)
19 The Gannet Pavan 2’44
20 Galliard 2’30
JOHN DOWLAND
21 Go Nightly Cares * 2’41 |
|