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葛拉斯: 電影(時時刻刻)組曲, 第一號鋼琴協奏曲 西莫妮.笛娜史坦 鋼琴 巴洛克林室內弦樂團 Philip Glass, a towering figure in New York’s musical life in the latter half of the twentieth century and an essential voice of the minimalist movement, crafted soundscapes that seem made for the screen. In 2002, the director Stephen Daldry commissioned him to compose the score for his new film The Hours, bringing together— in the roles of three women living in three different eras—none other than Nicole Kidman, Julianne Moore, and Meryl Streep. For this study on womanhood and the passage of time, the American composer devised a score that then became emblematic of his late style. It is a veritable manifesto of his expressive simplicity, in which layers and motifs are in constant, subtle transformation, giving rise to a richly wrought polyphonic universe that beguiles us with its expansive sonic textures. The rich score composed for Daldry was later distilled by Michael Riesman— musical director of the Philip Glass Ensemble and a close collaborator of the composer—into a three-movement suite for piano, strings, harp, and celesta, which is performed here by pianist Simone Dinnerstein and her New York ensemble, Baroklyn. |
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Philip Glass suite from “the hours” 2002 1 I. 11’17 2 II. 8’59 3 III. 6’57 tirol concerto for piano and orchestra 2000 [piano concerto no. 1] 4 Movement I 6’28 5 Movement II 16’40 6 Movement III 6’33 |
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