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巴哈: 六首法國組曲
法蘭西斯柯.特里斯塔諾 鋼琴
The fourth stage of Francesco Tristano’s Bach journey with naive is the complete set of six French Suites (BWV 812–817, c. 1722–1725). The cycle of six French Suites remains the first through which this Luxembourg pianist immersed himself deeply and enduringly in Bach, admiring as he does their quiet beauty and curious serenity.
For him, the French Suites are lyrical and melodic yet also incisive, as if imbued with vivid spontaneity, and without the slightest hint of haste.
Density through compression is perhaps the true aim of the French Suites—after the expansion of forms at work in the six English Suites (the only earlier surviving set of French-style suites by J. S. Bach; see naive V 8828, 2025) —before we reach the miraculous synthesis achieved in the first part of the Clavier-Übung (the six Partitas; naive V 8619, 2024).
Francesco Tristano PIANO
Johann Sebastian Bach 1685-1750
1-6 French Suite No. 1 in D minor, BWV 812
I. Allemande – II. Courante – III. Sarabande –
IV. Menuet 1 – V. Menuet 2 – VI. Gigue
7-13 French Suite No. 2 in C minor, BWV 813
I. Allemande – II. Courante – III. Sarabande –
IV. Air – V. Menuet (I) – VI. Menuet (II · BWV 813a) – VII. Gigue
14-20 French Suite No. 3 in B minor, BWV 814
I. Allemande – II. Courante – III. Sarabande –
IV. Anglaise – V. Menuet I – VI. Menuet II (Trio) – VII. Gigue
21-27 French Suite No. 4 in E-flat major, BWV 815
I. Allemande – II. Courante – III. Sarabande –
V. Gavotte – V. Air – VI. Menuet – VII. Gigue
28-34 French Suite No. 5 in G major, BWV 816
I. Allemande – II. Courante – III. Sarabande –
IV. Gavotte – V. Bourrée – VI. Loure – VII. Gigue
35-43 French Suite No. 6 in E major, BWV 817
I. Prélude – II (I). Allemande – III (II). Courante –
IV (III). Sarabande – V (IV). Gavotte – VI (V). Menuet polonais –
VII (VIII). Petit Menuet – VIII (VI). Bourrée – IX (VII). Gigue |
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