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(2CD) 朵拉.佩雅切薇琪: 交響曲全集 伊凡.雷普希奇 指揮 威瑪國家管弦樂團 Is there such a thing as "female" and "male" music? The life of Croatian composer Dora Pejačević clearly shows that - like many other women composers of the late 19th and early 20th centuries - she had far fewer opportunities in the musical world than her male colleagues. Yet her aristocratic background and a mother who was herself a composer afforded her certain freedoms. Step by step, Pejačević found her way into concert programmes throughout the Habsburg Monarchy, with works ranging from piano and vocal music to the symphony, a genre traditionally considered "male." The reception of her music illustrates how difficult it is to classify music according to gender: while some critics described her compositions as "feminine", others recognised in them a "masculine" expressive power. What remains beyond doubt, however, is Dora Pejačević's artistic significance - as one of the most outstanding women composers of her era. |
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CD 1 (55:10) 1.Metamorphosis (Verwandlung), Op. 37b 4:30 2.PLove Song (Liebeslied), Op. 39 4:56 Zwei Schmetterlingslieder, Op. 52 2:47 3.No. 1 Goldne Sterne, blaue Glöckchen 1:22 No. 2 Schwebe, du Schmetterling 1:25 Symphony in F-Sharp Minor, Op. 41 42:57 5.I. Andante Masestoso 14:31 6.II. Andante Sostenuto 11:26 7.III. Scherzo. Molto Allegro 7:15 8.IV. Allegro Appassionato 9:45 CD2 (55:03) Phantasie concertante in D Minor, Op. 48 16:05 1.Allegro molto moderato - Moderato e molto espressivo - Allegro Vivo 2.Ouverture in D Minor, Op. 49 5:55 Piano Concerto in G Minor, Op. 33 29:00 3.I. Allegro Moderato 12:14 4.II. Adagio con estro Poetico 8:12 5.III. Allegro con Fuoco 8:34 6.Nocturne in C-Sharp Major, Op. 50 No. 1 (Arr. for Orchestra by Igor Kuljerić) 4:03 |
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