李斯特: 12首超技練習曲 張昊辰 鋼琴 Haochen Zhang / Liszt: Transcendental Etudes

李斯特: 12首超技練習曲
張昊辰 鋼琴

12首一組的超技練習曲作品從1826年開始編寫, 並在1951年完成. 從包羅萬象的收藏品的想法出發, 依照巴哈平均律的方式, 李斯特的超技練習曲成為他的作曲美學的偵測器, 首先是受到帕格尼尼的強烈影響, 後來大多是個性風格的作品. 這些練習曲是有史以來在寫給鋼琴作品中最困難的其中之一. 它們和蕭邦的練習曲一起成為鋼琴技術的基礎, 其中一些已經預示出印象派音樂, 它們對後來的鋼琴音樂有重大的影響, 尤其重要的是德布西, 拉赫曼尼懦夫和李蓋悌的作品.

張昊辰是在2009年范克萊本國際鋼琴大賽有史以來獲得金牌獎的最年輕鋼琴家. 從那時起, 他以深厚的音樂敏感度, 無畏的想像力和令人驚嘆的精湛技藝吸引了全世界的聽眾. 在發行過兩張專注於協奏曲(普羅高菲夫/柴可夫斯基SACD2381 和貝多芬SACD2581)的專輯之後, 他回歸到個人獨奏專輯, 專注於一些現代鋼琴家曲目中最重要的作品.

The Transcendental Etudes form a cycle of twelve pieces whose composition began in 1826 and was completed in 1851 Starting from the idea of an encyclopædic collection which, in the manner of Johann Sebastian Bach's Well Tempered Clavier Liszt's Transcendental Etudes became something of a seismograph of his compositional aesthetic, first strongly under the influence of Paganini, later more in the style of character pieces These etudes are among the most difficult works ever written for the piano Together with Chopin's Etudes they serve as a basis for piano technique, some of them already prefiguring musical impressionism, and they had a significant influence on subsequent piano music, most notably that of Debussy, Rachmaninov, Bartok, and Ligeti.

In 2009 Haochen Zhang was the youngest pianist ever to receive the Gold Medal at the Van Cliburn International Piano Competition Since then, he has captivated audiences worldwide with a unique combination of deep musical sensitivity, fearless imagination and spectacular virtuosity After two releases devoted to concertos (Prokofiev and Tchaikovsky, BIS 2381 and Beethoven, BIS 2581 Zhang returns to the solo recital with this disc devoted to some of the most important works in the repertoire of modern pianists.