|
17世紀威尼斯敘事曲 (威尼斯樂派作曲家們的作品集)
克萊兒-翁貝琳.穆梅耶 早期長號
風滾草古樂團
In 17th-century Venice, music underwent a series of profound transformations. It was a time of splendour, marked both by the development of musical writing and by advances in instrument making, with the rise of the violin and the recorder, experimentation with continuo without bass or keyboard, and the golden age of the sackbut.
The debut album by Tumbleweeds, under the direction of Claire-Ombeline Muhlmeyer, “Ballade venitienne” fully embraces this rich effervescence through works by Castello, in whose music the sackbut rivals the violin in virtuosity, as well as Grandi, Kapsberger, Marini, Uccellini and Frescobaldi. All of them spent time in La Serenissima, and each in their own way contributed to the extraordinary flourishing that would, in the following century, establish Venetian influence across Europe.
1.Sinfonie Boscarecie, Op. 8 : No. 15, Symphonia decima Quinta (a Carissima) - No. 14, Symphonia decima Quarta (a Foschina) 02:56
2.Sonate concertate in stil moderno, libro secondo: Sonata Quarta a due Soprani 06:56
3.Ghirlanda sacra, libro primo: O quam tu pulchra es 03:07
4.Per ogni sorte di strumento musicale, Op. 22: No. 25, Passacalio à 3 & à 4 04:01
5.Canzoni da sonare a una, due, tre e quattro : Canzon terza a due canti, F 8.14c 04:31
6.Intavolatura di chitarone, libro primo: No. 2, Toccata seconda (Arpeggiata) 01:55
7.Sonate a due et a tre, libro primo, opera seconda: No. 2, La Spilimberga a due violini 03:16
8.Sonate, symphonie, canzoni, passemezzi, baletti, corenti, gagliarde e retornelli Op. 8: No. 59, Sonata quarta per il Violino per sonar con due corde 08:12
9.Trattenimenti per camera, Op. 22: No. 13, Passacaglio 04:37
10.Ciacona a tre 03:10
11.Toccate e partite d’intavolatura, libro secondo: No. 10, Toccata decima (F 3.10) 05:27
12.Sinfonie Boscarecie, Op. 8: No. 13, Symphonia decima terza (a Perdiera) 01:45
13.Sonate a due violini e basso continuo, Op. 18: No. 12, Sonata duodecima (A Strozza) 03:17 |
|
