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巴爾托克: 44首二重奏與在斯洛伐克, 羅馬尼亞, 烏克蘭, 匈牙利和阿爾及利亞的11首原始實地採集錄音
雅莉珊卓.普魯索 小提琴
安東尼.塔梅斯提 中提琴
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Bartok’s 44 Duos go well beyond the scope of their original purpose of illustrating a graded violin method. Sensitively alert to the popular origin of these pieces, based on folk songs from Central Europe to Algeria, Antoine Tamestit and Alexandra Preucil present a strikingly free and fresh reading for violin and viola. As preludes to their performances, they have interspersed several original recordings captured by Bartok during his field-trips.
BÉLA BARTÓK (1881-1945)
44 Duos Sz. 98
Including 11 of Bartok’s original field recordings
1 No. 44. “Erdelyi” tanc (Ardeleana) (Transylvanian Dance). Allegro moderato 1’58
2 No. 19. Mese (Fairy Tale). Molto tranquillo 1’12
3 Field Recording No. 278 (1911) 0’46
4 No. 16. Burleszk (Burlesque). Allegretto 1’00
5 Field Recording No. 289 (1907) 1’14
6 No. 28. Bankodas (Sorrow). Lento, poco rebato 2’23
7 No. 43. Pizzicato. Allegretto 1’11
8 No. 36a. Szol a duda (Bagpipes). Allegro molto (first version) 1’05
9 No. 36b. Szol a duda (Bagpipes). Allegro molto (second version) 1’06
10 No. 21. Újevköszöntő I (New Year’s Song I). Adagio 2’15
11 Field Recording No. 301 (1913) 0’56
12 No. 42. Arab dal (Arabian Song). Allegro 1’16
13 Field Recording No. 300 (1909) 0’19
14 No. 41. Scherzo. Vivace 0’56
15 No. 26. “Ugyan edes komamasszony...” (Teasing Song). Scherzando 0’34
16 No. 17. Menetelő nota I (Hungarian March I). Tempo di marcia, allegramente 0’44
17 No. 18. Menetelő nota II (Hungarian March II). Tempo di marcia 0’45
18 Field Recording No. 297 (1914) 0’30
19 No. 38. Forgatos (Romanian Whirling Dance). Allegro 0’42
20 No. 37. Preludium es kanon (Prelude and Canon). Lento 2’45
21 No. 10. Ruten nota (Ruthenian Song). Andante 1’11
22 No. 35. Ruten kolomejka (Ruthenian Kolomejka). Allegro 1’04
23 Field Recording No. 298 (1912) 1’08
24 No. 39. Szerb tanc (Zaplet) (Serbian Dance). Allegro molto 0’51
25 No. 40. Olah tanc (Wallachian Dance). Comodo 0’52
26 No. 2. Kalamajko (Dance). Andante 0’44
27 No. 15. Katonanota (Soldier’s Song). Maestoso 1’04
28 No. 29. Újevköszöntő II (New Year’s Song II). Tempo giusto 0’44
29 Field Recording No. 269 (1913) 0’32
30 No. 7. Olah nota (Romanian Song). Allegro moderato 0’51
31 No. 25. Magyar nota II (Hungarian Song II). Allegretto, leggero 0’52
32 No. 33. Arataskor (Harvest Song). Lento 1’31
33 Field Recording No. 266 (1915) 0’24
34 No. 4. Szentivanej (Midsummer Night Song). Risoluto 0’52
35 No. 34. Szamlalo nota (Counting Song). Allegramente 1’00
36 No. 23. Mennyasszonybúcsútato (Wedding Song). Lento rubato 1’25
37 No. 5. Tot nota I (Slovakian Song I). Molto moderato 1’00
38 No. 11. Gyermekrengeteskor (Cradle Song). Lento 1’14
39 No. 22. Szunyogtanc (Mosquito Dance). Allegro molto 0’40
40 No. 30. Újevköszöntő III (New Year’s Song III). Allegro 0’51
41 No. 13. Lakodalmas (Wedding Song). Adagio 1’27
42 No. 14. Parnas tanc (Cushion Dance). Allegretto 0’52
43 Field Recording No. 292 (1916) 0’40
44 No. 31. Újevköszöntő IV (New Year’s Song IV). Allegro non troppo 0’44
45 Field Recording No. 293 (1913) 0’39
46 No. 32. Maramarosi tanc (Dance from Maramaros). Allegro giocoso 0’47
47 No. 24. Trefas nota (Gay Song). Allegro scherzando 0’48
48 No. 27. Santatanc (Limping Dance). Allegro non troppo 0’32
49 Field Recording No. 274 (1915) 0’44
50 No. 12. Szenagyűjteskor (Hay-Harvesting Song). Lento religioso 0’52
51 No. 1. Parosíto (Teasing Song). Andante 1’00
52 No. 8. Tot nota II (Slovakian Song II). Andante 1’04
53 No. 6. Magyar nota I (Hungarian Song I). Moderatamente mosso 0’59
54 No. 9. Jatek (Play). Allegro non troppo 0’45
55 No. 3. Menuetto. Moderato 0’59
56 No. 20. Dal (Song). Allegretto 1’36 |
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