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歷史遺珍與新發現 低音管與鋼琴作品集 布拉姆.凡.桑貝克 巴松管 漢斯·艾薩克斯 鋼琴 Bram van Sambeek, Hans Eijsackers / Relics and Discoveries



歷史遺珍與新發現 低音管與鋼琴作品集 布拉姆.凡.桑貝克 巴松管 漢斯·艾薩克斯 鋼琴	Bram van Sambeek, Hans Eijsackers / Relics and Discoveries
歷史遺珍與新發現 低音管與鋼琴作品集 布拉姆.凡.桑貝克 巴松管 漢斯·艾薩克斯 鋼琴	Bram van Sambeek, Hans Eijsackers / Relics and Discoveries
專輯編號: BISSACD2716
專輯類型: SACD
發行年份: 2026
國際條碼: 7318599927169
音樂廠牌: BIS
庫存狀態: 有庫存
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歷史遺珍與新發現
布拉姆.凡.桑貝克 巴松管
漢斯·艾薩克斯 鋼琴

From conservatory staples to newly unearthed gems by Bram van Sambeek

Known for his highly versatile approach to bassoon playing and innovative programming, Bram van Sambeek teams up with pianist Hans Eijsackers to present their new album, Relics and Discoveries. The release features a programme of concert-tested works partially dedicated to the conservatory repertoire most beloved by bassoon students.

Several pieces originated as Paris Conservatoire competition commissions from the institution’s composition faculty. Tansman’s engaging Sonatine, Koechlin’s three slow movements, and Dutilleux’s Sarabande et Cortege each reflect their composers’ fiercely independent personalities: each energetic, contemplative, and masterfully crafted.

A major discovery is Fazil Say’s substantial and colourful Suite. Originally for alto saxophone, it is arranged here for bassoon in its original key of E flat minor to preserve the instrument’s unusual tonal “friction”. Kinan Azmeh’s November 22nd, a meditative evocation of childhood sounds from a Damascus market, adds emotional depth. Closing the programme is Eugene Jancourt’s arrangement of the Allegretto from Beethoven’s Seventh Symphony, a movement van Sambeek connects to both personal memory and climate activism. Together, these works challenge the misconception that the bassoon repertoire is limited, offering pieces that range from conservatory staples to newly unearthed gems.

SAY, Fazıl (b. 1970)
Suite for alto saxophone and piano, Op. 55 (2014) 24'34
(Schott Music GmbH & Co)
arr. Bram van Sambeek
1 I. Allegro 3'53
2 II. Andante 6'12
3 III. Presto 3'26
4 IV. “Ironic” 2'37
5 V. Andantino, quasi lullaby 4'44
6 VI. Finale. Presto 3'26

DUTILLEUX, Henri (1916–2013)
Sarabande et cortege (1942) (Alphonse Leduc) 7'24
7 I. Assez lent — 3'15
8 II. Mouvement de marche 4'08

TANSMAN, Alexandre (1897–1986)
Sonatine for bassoon and piano (1952) (Éditions Max Eschig) 9'24
9 I. Allegro con moto – Meno mosso 3'45
10 II. Aria. Largo cantabile 3'04
11 III. Scherzo. Presto 2'33

BEETHOVEN, Ludwig van (1770–1827)
arr. Eugene Jancourt
12 Allegretto from Symphony No. 7, Op. 92 (1811–12) 8'05

KOECHLIN, Charles (1867–1950)
Trois pieces for bassoon and piano, Op. 34 (1898–1907) 10'10
(Éditions Gérard Billaudot)
13 No. 1 Lent 4'50
14 No. 2 Andante moderato 1'55
15 No. 3 Andante sostenuto 3'18

AZMEH, Kinan (b. 1976)
Suite for Improvisor and Orchestra (2007) (kinanazmeh.com)
arr. Bram van Sambeek
16 II. November 22nd 5'37

TT: 66'34

Bram van Sambeek bassoon
Hans Eijsackers piano

 

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