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韋瓦第:神劇(茱狄莎的勝利)全曲
沙瓦爾 指揮
國家古樂合奏團
加泰隆尼亞皇家合唱團
La Capella Reial de Catalunya, Le Concert des Nations
Jordi Savall
«Judith triumphant over the barbarians of Holofernes» is the only survivor of the four oratorios that Vivaldi is known to have composed. The work was commissioned to celebrate the victory of the Republic of Venice over the Turks during the siege of Corfu. All characters, male and female, are interpreted by women (originally the singers of the Ospedale della Pietà in Venice).
Although the rest of the oratorio survives completely intact, the overture has been lost and Jordi Savall has selected 2 existing concertos as introduction, of which the key, mode and no doubt date of composition coincide most closely with the subject of the oratorio.
The oratorio Juditha triumphans marks the climax of Vivaldi’s vocal production. The great beauty of its arias and choral parts, the compact dramatic quality of its recitatives and the richness of instrumentation all single it out as one of the most intense and fascinating examples of the genre.
As you have cme to expect, the booklet is lavishly illustrated and contains the full libretto translated in 6 languages.
CD1
Concerto in D major
«per la Solennità di San Lorenzeo», RV 562
1. Andante – Allegro 5’55
Concerto in D major
Op. 3 Nr. 9, RV 230
2. Larghetto 2’31
Juditha triumphans devicta Holofernis barbarie
Sacrum militare oratorium RV 644
KV 550 (1788)
3. - 29. Pars prior 67’35
CD2
1. - 28. Pars altera 64’37 |
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