香榭麗舍管弦樂團
皇家禮拜堂合唱團
根特聲樂合唱團
菲利普.赫瑞維賀 指揮
1791年12月, 最後的安魂曲.
自從被維也納排斥後的莫札特, 對在歐洲的許多次旅行感到厭倦, 他無力在很短的時間內來兌現有一個人委任他寫安魂曲的承諾. 事實上, 他在寫此曲時就已經被疾病打倒, 因此在他的指導之下由他的學生蘇斯麥爾(Sussmayr)完成, 因為富麗堂皇的莫札特風格充到處可見 – 呈現在巴洛克式的想像力和古典風格, 在廣泛的動亂中和一個孤獨面對死亡恐怖中的人, 這版本一直到今日仍是最有說服力的版本.
Orchestre des Champs-Elysees
La Chapelle Royale
Collegium Vocale Gent
Philippe Herreweghe
December 1791, the final Requiem.
Tired by his many voyages around Europe ever since he had been rejected in Vienna, Mozart could not find the strength to honour his promise to compose a Requiem in record time for the person who had commissioned it… He was in fact to be struck down by illness during its composition and it was his pupil Sussmayr who finished the work according to his instructions. This version remains the most convincing, for the presence and grandeur of Mozart are present everywhere - in the baroque imagination and the classical style, in the universal unrest and the sheer terror of a man alone in the face of Death. |
Mozart: Requiem in D minor, K626
1 I. Introitus - Requiem Aeternam 04:41
2 II. Kyrie 02:27
3 III. Sequenz - Dies Irae 02:02
4 III. Sequenz - Tuba Mirum 03:15
5 III. Sequenz - Rex Tremendae 01:52
6 III. Sequenz - Recordare 04:57
7 III. Sequenz - Confutatis 02:28
8 III. Sequenz - Lacrimosa 03:05
9 IV. Offertorium - Domine Jesu 03:39
10 IV. Offertorium - Hostias 03:55
11 V. Sanctus 01:28
12 VI. Benedisctus 04:40
13 VII. Agnus Dei 03:23
14 VIII. Communio 05:22
15 Mozart: Kyrie in D minor, K341 06:23 |
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