After Bach's Toccatas, the French pianist Amandine Savary offers a fascinating interpretation of Schubert's two cycles of Impromptus, superb, stylistically 'free' works that are finely contrasted as regards structure, tempo, duration and character. The musical sweep Schubert gives these pieces – associating his name for posterity to that of this new form – enables her to go beyond virtuosity to breathe into them intense, sustained passion with at times unleashed violence. |
1.4 Impromptus, Op. 90, D. 899: I. Allegro molto moderato-9:26
2.4 Impromptus, Op. 90, D. 899: II. Allegro-4:17
3.4 Impromptus, Op. 90, D. 899: III. Andante-5:38
4.4 Impromptus, Op. 90, D. 899: IV. Allegretto-7:57
5.4 Impromptus, Op. 142, D. 935: I. Allegro moderato-12:48
6.4 Impromptus, Op. 142, D. 935: II. Allegretto-7:54
7.4 Impromptus, Op. 142, D. 935: III. Andante mit Variationen-11:36
8.4 Impromptus, Op. 142, D. 935: IV. Allegro vivace-6:41
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