貝多芬, 貝爾格, 布列茲: 熱情等鋼琴奏鳴曲集
佛羅倫特.波法德 鋼琴獨奏
In the context of the first recording of Pierre Boulez's Antiphonie, Florent Boffard has assembled three composers' varying approaches to the emblematic musical form of the 'sonata'. A robust structure in Beethoven, it becomes an open, multiple form in its confrontation with Boulezian modernity. The juxtaposition of these three universes emphasises the timeless power of the musical utterance when genius imposes its style.
BEETHOVEN (1770-1827)
Sonate pour piano n°23 opus 57 « Appassionata »
1 Allegro assai 10'20
2 Andante con moto 6'21
3 Allegro ma non troppo – Presto 8'14
BERG (1885-1935)
4 Sonate pour piano opus 1 10'48
BOULEZ (1925-2016)
Sonate pour piano n°3
5 Formant 3 : Constellation-Miroir
( Melange Blocs - Points 3 - Blocs II - Points 2 - Blocs I - Points 1 ) 13'17
Formant 2 : Trope
6 Texte 1'07
7 Parenthese 2'30
8 Glose 1'29
9 Commentaire 3'13
Formant 1 : Antiphonie (extraits)
10 ANTIPHONIE I (VERSET I, REPONS I) 1'36
11 TRAIT INITIAL/premier trait median, incluant Sigle
(VERSET I, repons 1, VERSET II, VERSET III, repons 2) 7'21
12 ANTIPHONIE II (REPONS II, VERSET II, REPONS III) 0'55 |
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