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向女性致敬(迪·凡妮莎/史密絲/畢琦/克拉拉.舒曼/莉莉．鮑蘭潔等女性作曲家)
瑪麗.凱瑟琳.吉侯德 鋼琴
Was the golden age of the piano that of a defeat for female composers? If they occupied an important place in ancient and baroque music, the bourgeois society which emerges from the Enlightenment limits their access to the conservatory and to the quarry. Marie-Catherine Girod explores this key moment, and reveals to us the talent of the resistance fighters of the classical and romantic periods, and of the first modernism, those whose history has retained the name, such as Fanny Mendelssohn or Clara Schumann, or of whom she is rediscovering it today.
Regards de femmes
Marie-Catherine Girod piano
Louise Farrenc (1804-1875)
01 « Les Italiennes »
Variations sur la cavatine de Norma opus 14 6'50
Helene de Montgeroult (1764-1836)
02 Finale de la Sonate en fa mineur opus 5 5'07
Anna Bon di Venezia (vf 1739-1767)
03 Sonate pour clavecin en sol opus 2 n°1
(Allegro – Andantino) 4'37
Amy Beach (1867-1944)
04 Dancing Leaves opus 102 n°2 1'17
05 Scottish Legend opus 54 n°1 2'40
Agathe Backer Grøndahl (1847-1907)
06 Piece opus 19 n°2 2'20
Clara Schumann (1819-1896)
07 Romance opus 21 n°1 4'34
Fanny Hensel Mendelssohn (1805-1847)
08 Wanderlied - extrait des 4 Lieder opus 8 2'49
Ethel Smyth (1858-1944)
09 Variations on an Original Theme
(of an Exceedingly Dismal Nature) 12'34
Mel Bonis (1858-1937)
10 Melisande - extrait de Femmes de legende 2'24
Jeanne Barbillion (1895-1992)
11 Provence - I Bord de mer, le soir 4'30
12 Provence - II Fete de soleil 3'08
Lili Boulanger (1893-1918)
13 D'un vieux jardin 2'24
Henriëtte Bosmans (1895-1952)
Six Preludes
14 Moderato assai 1'37
15 Lento assai 2'16
16 Agitato 1'20
17 Allegretto 1'27
18 Cantando e dolente 1'57
19 Presto ma non troppo 2'51
Germaine Tailleferre (1892-1983)
20 Impromptu 2'01
Cecile Chaminade (1857-1944)
21 Toccata opus 39 3'24
Maria Hester Park (1760-1813)
22 Menuet de la Sonate opus 4 n°1 3'06
Emilie Zumsteeg (1796-1857)
23 Polonaise n°3 2'16
Clara Gottschalk Peterson (1837-1919)
24 Staccato Polka 2'08 |
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