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Ferenc Fricsay, the great Hungarian conductor who died prematurely (1914-1963), contended that musicians had to work on Bartók's major works to master Mozart's unique combination of profundity and giocoso.His compatriot, the pianistAnnie Fischer, provides eloquent proof of this here, in the andante movement of the 21st Concerto (famously featured in Bo Widerberg's film Elvira Madigan), reflecting her intimacy with Bartók's last concerto, composed for his wife Ditta on his deathbed. |
1. Mozart: piano concerto #21 in c, k 467 - I.allegro maestoso - Annie Fischer; Wolfgang Sawallisch: Philharmonia Orchestra 2. Mozart: piano concerto #21 in c, k 467 - II.andante - Annie Fischer; Wolfgang Sawallisch: Philharmonia Orchestra 3. Mozart: piano concerto #21 in c, k 467 - III.allegro vivace assai - Annie Fischer; Wolfgang Sawallisch: Philharmonia Orchestra 4. Mozart: piano concerto #23 in a, k 488 - I.allegro - Annie Fischer; Adrian Boult: Philharmonia Orchestra 5. Mozart: piano concerto #23 in a, k 488 - II.adagio - Annie Fischer; Adrian Boult: Philharmonia Orchestra 6. Mozart: piano concerto #23 in a, k 488 - III.allegro assai - Annie Fischer; Adrian Boult: Philharmonia Orchestra 7. Bartok: concerto n°3, sz 119 - I.allegretto - Annie Fischer; Ferenc Fricsay: Symphonieorchester des Bayerischen Rundfunks 8. Bartok: concerto n°3, sz 119 - II.adagio religioso - Annie Fischer; Ferenc Fricsay: Symphonieorchester des Bayerischen Rundfunks 9. Bartok: concerto n°3, sz 119 - III.allegro vivace - Annie Fischer; Ferenc Fricsay: Symphonieorchester des Bayerischen Rundfunks |
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