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Sooner or later the Ricercar Consort had to confront the omnipresent spirit of the ricercar explicitly advocated by Bach in his Musical Offering. This work continues to fascinate musicians, musicologists, and music-lovers. Does it transpose a rhetorical scheme into music, or reflect a heavenly design? Or some other purpose, speculative, even sacred or testamentary? In the order chosen by the Ricercar Consort, the Trio Sonata for flute, violin, and continuo takes up a central position, separating the three-part ricercar, from its six-part counterpart, a dense, fluid work, extremely challenging for the performers. Thanks to the ordering adopted in this new recording, this Ricercare à 6 appears in its full grandeur, illuminated by the mosaic of the canons. |
DISC 1 The Musical Offering, BWV 1079 (œuvre complète) 1 Ricercar 00:06:00 2 Canon perpetuus super Thema Regium 00:02:29 The Musical Offering, BWV 1079, Sonata sopr’il Soggetto Reale à Traversa. Violino e Continuo. (œuvre complète) 3 I. Largo 00:06:29 4 II. Allegro 00:05:54 5 III. Andante 00:03:25 6 IV. Allegro 00:02:54 7 VI. Canon perpetuus 00:02:28 The Musical Offering, BWV 1079, Canones diversi super Thema Regium (œuvre complète) 8 Canon 1 a 2 00:02:21 9 (Canon) 2 a 2 Violin : in Unisono 00:00:50 10 (Canon) 3 a 2 per Motum contrarium 00:01:11 11 (Canon) 4 a 2 per Augmentationem, contrario Motu 00:02:42 12 (Canon) 5 a 2 00:02:49 13 Fuga canonica in Epidiapente 00:02:15 14 Ricercar a 6 00:07:37 The Musical Offering, BWV 1079, Quaerendo invenietis (œuvre complète) 15 Canon a 2 00:01:32 16 Canon a 4 00:02:53 |
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