齊瑪諾夫斯基：假面舞會、給鋼琴的三首詩篇、練習曲 Szymanowski: Masques, Métopes & Études

原文專輯介紹

In Cédric Tiberghien’s first solo recording for Hyperion he embraces the sensual, crepuscular sound-world of

Szymanowski’s piano music. Tiberghien’s expressive, mercurial, quicksilver playing with its extraordinary pianissimos

and kaleidoscopic range of colour makes him an ideal performer of this repertoire.

Szymanowski’s most celebrated works have been recorded here. The early 4 Études include the popular ‘Andante in

modo d’una canzone’, a sorrowful song above slow repeated chords. The rest of the (later) works show the maturing of

Szymanowki’s unique piano style and in particular the salutary influence of Ravel’s and Debussy’s weightless,

diaphanous textures.